Title: We Were LiarsAuthor: E. Lockhart
Original title: We Were Liars
First published: 2014
Genre: YA, Mystery, Contemporary
Series: --
Publisher: Delacorte Press
Format: Paperback
Pages: 225
Finished: 15/07/2019
Summary: We Were Liars. I will LIE too, as to not spoil your reading. This is a book about a girl, about friendship, about summer. It's a book about money and a wealthy family. It's a book about values and about pretending. It's a book about LIES, those that we tell others and the ones that we tell ourselves. The LIES that are exposed and also, the hidden lies.
My thoughts: “We Were Liars” by E. Lockhart became an object of hype and mystery within the YA reading community upon its release ca. four or five years ago. Its biggest selling point is that the reader should have as little knowledge as possible about the plot when diving into the novel, hence I won’t give a summary of the plot itself in this review. I will, however, discuss my thoughts about it.
We follow the protagonist and teenager Cady Sinclair; the eldest grandchild of a filthy rich old man who, amongst other things, has three daughters and a private island, which the family visits each summer. Cady hardly made a good impression on me. Usually, I tend to favour protagonists that have flaws; it makes a character more relatable. However Cady didn’t offer any other characteristics than spoiled, boring, and slow. Not even the mystery of a rich family’s dirty secret could save her from being plain, and neither was she saved by the attempt of a poetic writing style.
Yes, this is my segue to talking about the writing style. At first, I was annoyed by it, because it reminded me of other disappointing novels with failed tries at unique and poetic language. Nevertheless, it wasn’t too bad, and I got used to it in the end, though I sometimes found that the style of writing clashed with the personality of the protagonist. And though I got used to the style, it never got good.
So what made this novel? Well, in the end this book is held up by its selling point, the mystery. It’s the mystery, unravelling, and reveal that made this book worth the read. And these things are executed well by the author; I could tell that the resolution was thoroughly thought out and plotted by Lockhart, and I’m glad to say the ending made an impact on me. However, I need more than the climax of the novel to affect me for it to be considered good. In the end, I’ll remember this as a book with a grand finale, but not, unfortunately, as anything else.
Rating: 3/5
We follow the protagonist and teenager Cady Sinclair; the eldest grandchild of a filthy rich old man who, amongst other things, has three daughters and a private island, which the family visits each summer. Cady hardly made a good impression on me. Usually, I tend to favour protagonists that have flaws; it makes a character more relatable. However Cady didn’t offer any other characteristics than spoiled, boring, and slow. Not even the mystery of a rich family’s dirty secret could save her from being plain, and neither was she saved by the attempt of a poetic writing style.
Yes, this is my segue to talking about the writing style. At first, I was annoyed by it, because it reminded me of other disappointing novels with failed tries at unique and poetic language. Nevertheless, it wasn’t too bad, and I got used to it in the end, though I sometimes found that the style of writing clashed with the personality of the protagonist. And though I got used to the style, it never got good.
So what made this novel? Well, in the end this book is held up by its selling point, the mystery. It’s the mystery, unravelling, and reveal that made this book worth the read. And these things are executed well by the author; I could tell that the resolution was thoroughly thought out and plotted by Lockhart, and I’m glad to say the ending made an impact on me. However, I need more than the climax of the novel to affect me for it to be considered good. In the end, I’ll remember this as a book with a grand finale, but not, unfortunately, as anything else.
Rating: 3/5
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Title: Call me by your name
Author: André Aciman
Original title: Call Me By Your Name
First published: 2007
Genre: Contemporary, LGBTQ+
Series: Call Me By Your Name #1
Publisher: Brombergs
Format: Hardback
Pages: 262
Finished: 21/07/2019
Summary: A sudden and powerful romance blossoms between an adolescent boy and a summer guest at his parents' cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy.
Author: André Aciman
Original title: Call Me By Your Name
First published: 2007
Genre: Contemporary, LGBTQ+
Series: Call Me By Your Name #1
Publisher: Brombergs
Format: Hardback
Pages: 262
Finished: 21/07/2019
Summary: A sudden and powerful romance blossoms between an adolescent boy and a summer guest at his parents' cliff-side mansion on the Italian Riviera. Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy.
My thoughts: I watched the movie adaptation of this when it came out in 2017 and pretty much loved it. In February of this year (2019), I finally purchased the novel at the annual Swedish book sale. And now, in July of 2019, I’ve read it.
The movie and book are rather different; since the novel is mostly based on Elio’s thoughts, fantasies, and observations of Oliver, the movie became a compilation of the few actual scenes that the book offers, resulting in a slow paced, silent, and atmospheric film. However, we never realise the full extent of Elios feelings for Oliver in the movie, because we miss out on everything that goes on in his head. This is where the novel fills in.
Elio is beyond taken by Oliver; he’s all he can think about, really. Every page has a paragraph dedicated for Elio’s thoughts on the American, though despite everything being about Oliver, I felt that I rarely got to know him. He’s more the object for Elio’s desires and fantasies, rather than a character that we become familiar with. We truly only see him as Elio sees him. This has a charm to it, because while Oliver remains as some sort of centre for the plot, Elio really takes up all the space in the novel. “Call me by your name” is just Elio, who is just about Oliver, if that makes any sense.
I have a hard time finding things to say about this novel. I enjoyed the writing style and the depiction of Elio’s total obsession. It was a nice summer read, and I’m glad I’ve finally read it. Though I think I liked the movie a bit more, I want to say that the two really compliment each other well. I warmly recommend them both.
Rating: 4/5
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Title: Rör mig inte!
Author: Tahereh Mafi
Original title: Shatter Me
First published: 2011
Genre: Fantasy, YA, Dystopia
Series: Shatter Me #1
Publisher: B. Wahlströms
Format: Hardback
Pages: 302
Finished: 22/07/2019
Summary: Juliette hasn’t touched anyone in exactly 264 days. The last time she did, it was an accident, but The Reestablishment locked her up for murder. No one knows why Juliette’s touch is fatal. As long as she doesn’t hurt anyone else, no one really cares. The world is too busy crumbling to pieces to pay attention to a 17-year-old girl. Diseases are destroying the population, food is hard to find, birds don’t fly anymore, and the clouds are the wrong color. The Reestablishment said their way was the only way to fix things, so they threw Juliette in a cell. Now so many people are dead that the survivors are whispering war – and The Reestablishment has changed its mind. Maybe Juliette is more than a tortured soul stuffed into a poisonous body. Maybe she’s exactly what they need right now.
Author: Tahereh Mafi
Original title: Shatter Me
First published: 2011
Genre: Fantasy, YA, Dystopia
Series: Shatter Me #1
Publisher: B. Wahlströms
Format: Hardback
Pages: 302
Finished: 22/07/2019
Summary: Juliette hasn’t touched anyone in exactly 264 days. The last time she did, it was an accident, but The Reestablishment locked her up for murder. No one knows why Juliette’s touch is fatal. As long as she doesn’t hurt anyone else, no one really cares. The world is too busy crumbling to pieces to pay attention to a 17-year-old girl. Diseases are destroying the population, food is hard to find, birds don’t fly anymore, and the clouds are the wrong color. The Reestablishment said their way was the only way to fix things, so they threw Juliette in a cell. Now so many people are dead that the survivors are whispering war – and The Reestablishment has changed its mind. Maybe Juliette is more than a tortured soul stuffed into a poisonous body. Maybe she’s exactly what they need right now.
My thoughts: First book read for "The Reading Rush" 2019! This one was read for the challenge "read an authors debut novel". I completed it within my schedule, which means I read and finished it within the first day of the week.
I have a few scattered thoughts about this novel that I took notes on with my phone, so this review will be a sort of coherent compilation of those notes.
The best part of the book was the beginning. I felt compelled by the writing style, which I’d heard a lot about from the time when this novel blew up back when it was first released. Yes, the style is worth noting, and yes, I liked it at first, though I felt that what I enjoyed about it (which is mostly the crossed out parts of the text) ebbed out as the story progressed. Hence, what I liked most about the writing style sort of went away the more I read, which was really too bad, though I can understand it was used as a tool to note the character development of the protagonist and improvement of her mental state/health.
I quickly noticed that Adam, the main love interest of the book, seemed to be built on rather weak and ambiguous descriptions. That’s a nicer way of saying his character lacks depth, and this is a problem basically from the moment he’s introduced and for the rest of the novel. I actually found that this was the case with pretty much every character besides Juliette, but even she wasn’t a striking exception. I’d hoped Adam would grow with time, but unfortunately that didn’t happen. Nevertheless, it’s very possible that we see a greater change with him in future novels of the trilogy, hopefully along with all the other characters.
Furthermore, speaking of Adam, I found the main romance pretty boring… It started off as sort of intriguing, but their falling for each other went way too quick and didn’t feel motivated enough, despite the author’s attempts.
Another thing that annoyed me were the shallow descriptions. It seems this novel is overflowing with metaphors, yet I rarely got any elaborate or imaginative descriptions on the environments that Juliette finds herself in. Perhaps that’s something that was lost in translation, but I honestly doubt it. The shallowness also affected character descriptions overall; new characters were introduced clumsily, mainly because Juliette was annoyingly quick to judge them as good or bad. Because of that, I as a reader felt that the author was trying to tell me outright to think a certain way about a character, rather than actually showing me the nature of their character with actions and interactions. For example, Juliette is at one point introduced to a new character, and she has legit not known him for more than an hour before she starts making statements like “I could never imagine This Character ever being surprised at anything!”, which I found highly unrealistic and clumsy. Really, this book would have needed an extra 100 pages or so to delve deeper into characters, relationships, and world building in order to truly convince me that this is a decent/good book.
I sound negative, I know. But despite my many remarks, I did enjoy reading this a bit. Maybe not as much as I’d hoped, and the faults of it were a tad too many, but I think I would consider reading at least one of the sequels. The plot was rather fast paced (maybe too fast, actually), and I can see the potential. Overall, it’s not a book that I struggled with completing because of its flaws, but I didn’t really fly through it because I enjoyed it a lot.
Spoiler thoughts (mark white text in order to read it): Adam’s motivation of risking so much for Juliette is very weak! Why would he risk the safety of this younger brother, which should be his main priority since he’s his brother’s only guardian, in order to save Juliette? I didn’t buy that their love was strong or deep enough at that point in the plot for him to be so reckless.
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